October 30, 2008

Engaged - l0ckd0wn

Filed under: Culture, Faderwave, Music, Spotlight: Los Angeles — l0ckd0wn @ 4:00 am
Welcome to The D Town Crew. After you read this, why don't you check out some of our other articles and selections. Content is added all the time and our topics cover many aspects of our lives and experiences, take a second and check it out! -l0ckd0wn

New mix recorded around Halloween 2008.  Tech, Progressive & Electro House will keep ya moving for the entire 80min adventure.  This was a one shot with no additional editing done to the audio other than normalization.   320KBps CBR 44,100Hz Stereo.

l0ckd0wn - Engaged

l0ckd0wn - Engaged

01.) Dan Rotor - Looking Back
02.) Tapwatr - Dirty Things
03.) John Acquaviva, Oliver Giacomotto - Sofa King
04.) Bass Kleph - Bump Uglies (Dopamine Remix)
05.) Claude Von Stroke - Who’s Afraid of Detroit
06.) Robot Needs Oil - Volta (John Acquaviva’s Extended Edit)
07.) Mashtronic - Bionic Funk (Dub)
08.) Jude Sebastian - Rubber Man (Miles Dyson Remix)
09.) Fischerspooner - Just Let Go (M.A.N.D.Y. Remix)
10.) IT - I See The Picture
11.) Gold Ryan - Clean Track (Repack)
12.) Tom Parris - Critical Expansion
13.) King Unique - Yokoh
14.) Slim Fat Reducer - Robots Just Want To Have Fun
15.) Sharam Ft. David Beddingfield - The One (Original Dub)

Genre:  Tech House, Progressive House, Electro House

Get it HERE or click the CD cover.

June 14, 2008

Somehow Still Alive @ The San Pedro Brewery, June 13th 2008

Nestled in the heart of downtown San Pedro, the San Pedro Brewery sits in between shops, restaurants and small clubs. Having the average selection of micro brews, the Brewery presents a small stage in the heart of the bar for local bands in the area to perform. On Friday, June 13th, the Brewery hosted Sean Lane & the Hellhounds & Somehow Still Alive to keep the bar rocking until the early morning hours.

Starting off the evening, the Hell Hounds brought a blues infused, rockabilly style sound to open it for my
local friends, Somehow Still Alive. The Hellhounds started out soulful and bluesy, getting the bar crowd bobbing their heads and tapping their feet to some of their soulful original tunes.

After about an hour, the Hellhounds ended their set after getting the bar warmed up for the main event! Around 11:45PM Somehow Still Alive started off their set with a bang, playing Frontline, my favorite track of their’s, early off in the set. The crowd was really responsive and you could feel the energy in the room. The guys played quite a few tracks off of their freshman release, Afterall as well as playing at least one new track I hadn’t heard throughout their set. By the end of their set the bar was up and arms and having a great time. All in all a great show although the bar’s stage was tiny in comparison to other hot spots for local talent in the area. Either way Somehow Still Alive put on a great performance and I am definitely looking to go see them again (maybe at a little bit bigger spot next time…).

Justin

*Pics to come soon.

May 5, 2008

My Digital Life: May 08 - 2 Disc Summer Trance Mix by l0ckd0wn

Filed under: Art, Culture, Faderwave, Music, Other Blogs, Spotlight: Los Angeles — l0ckd0wn @ 1:13 pm

I am a house head through and through. I seem to flow throughout all forms of house music but every once in a while I need a break and have to pick up the pace a bit. With that I have created this mix to kick off a small series of mixes that I am going to be doing, starting with this month’s release which is focused more on Trance. This compilation is on the speedier side of my musical taste and is great for those summer nights when you are just looking to party! Check it out!

CD1
More of a progressive feel with a bit of trance mixed in.

CD2
This disc really starts to pick up the pace and drenches the listener in trance of new and old!

l0ckd0wn
My Digital Life: May 08

My Digital Life: May08

This was also broadcast on Faderwave Radio, May 2 2008.

Artwork by Marc Stokes.

Enjoy!

-l0ckd0wn

April 28, 2008

J.Geffen’s Review of Daedelus: The Axe Murderation LP

Filed under: Culture, Music, News, Reviews, Spotlight: Los Angeles — l0ckd0wn @ 12:00 pm

Joe Geffen is a friend of mine and local DJ currently living in the Los Angeles area. He performs weekly on Faderwave.net at Midnight - 1:30AM every Sunday and writes regularly for both djforums.com and redplasticup.com. Here is Joe’s review of Daedelus’ “The Axe Murderation LP.”

/ —> The Daedelus Redox <—

jgeffen
Joe
I want to preface this review with a bit of an explanation. I really really enjoy the work of Daedelus; his work continues to defy the fringes of what most people consider music. That is, in fact, the quality about his work that I enjoy the most. You really have to open up one of his albums expecting a jolt to your musical tastes. And so, you can imagine my surprise to walk into a small Los Angeles “Club” on a lonely Tuesday night, to walk past a small table on which was placed all of the releases of this artist. This stopped me dead in my tracks; IDM being sold in a LA club?? And so I looked up to see what kind of person would sell this stuff in a location as juxtaposed as this only to see a very polite-looking man of his 20s smiling at me, dressed fancily in a rust-colored, winged tux jacket, complete with matching tie.

“Wait,” I said. “Daedelus is playing tonight?”

“Oh, I’m Daedelus, and yes, I’m playing tonight”, he says, and - suddenly - I start to encounter the gripping emotions of being star-struck.

Situations like this - where one’s expectations keep getting defeated - lie at the very heart of this artist’s work. At first listen to Daedelus, many mainstream listeners hear nothing but metallic clamour - rightfully so, I might add, as that is essentially the bulk of the sound. But, whereas with other artists those words constitute a “death blow” with which I mean to send potential listeners away, the right people will know that this is, in this case, a major compliment. Because, out of the sounds of seemingly simple computer-gibberish, you’ll start to notice cohesion in the chaos.

Behold, this is the artistry of a visionary. So, without much more introduction, this is the Redox of Daedelus, starting with some of his most abstract to his most crowd appealing.

—> The Axe Murderation LP <—

I got this particular release from Daedelus himself, and upon choosing it from the selection of discs layed out before me, he simply said, “Yeh, that one’s experimental.” And after saying that I can handle it and I’m into hearing new techniques in music production, he looked at me strangely and said that, no, seriously, it’s really experimental. I just dismissed the claim and didn’t think anything of it until I put the record on my turntable, and DAMN! In terms of pushing the limits of music, this MUST be the cutting edge. I feel like, for the most part, if computers could synthesize music themselves, this would be the result. And while several songs on here, are cacauphnous, there still exist several gems. Please note, before listening to these tracks, be sure you have areally good speaker system that can handle a lot of bass. Here are a few to check out:

Phthalocyanine: shape axed from the backdrop of shape. Primarily a remix of rhythm and bass, expect to find the remnants of chopped breakbeats superimposed over a very eerie track. This is Aphex Twin on LSD… well, more LSD for that matter…

Venetian Snares: girl/boy as performed by selkirk retard orchestra for the daughters of asexual lithium addicts. The title says it all. Personally, I would say it was performed by the children of Rubber Johnny. Check it out.

Eight Frozen Modules: Cutes like an axe. This is one of the aforementioned tracks where you need a pretty good subwoofer to resolve the bass tones. The discordancy of the synthesizers in this track and effective use of a mixer’s pan functions really come together to make a cool track…. actually, does that make any sense?

<— Live at the Low End Theory —>

His newest album (released earlier this year [2008]) commemorates his performance at, you guessed it, the Low End Theory in L.A., and is possibly the best example of how IDM can be worked into the club scene. As with most of his other danceable tracks, these tracks are infested with 1/16 notes and so much energy that it makes my head want to explode. There are no particular tracks that really stick out in my mind because the overall performance was simply incredible. I can only imagine what it must have been like in the club with lots of subs pumping bass everywhere. A crowd pleaser and a must listen, for sure!

<—Exquisite Corpse —>

Published back in 2005, this was my introduction to Daedelus and is the probably the best way to delve into this guy’s work. Within the first few tracks, you get a really good idea of how this guy successfully transcends traditional music structure by overlaying multiple different time structues over each other. While you might at one point be listening to your usual 4×4 beat, other layers will be in 3×4. Be sure to listen to the track Impending Doom; it’s hip-hop over a beat that’s been cut-up into more pieces than the personality of Britney Spears. Following that is Just Briefly, which is an excellent conglomeration of a swinging, glitchy beat that has, once again, been fragmented. In typical Daedelus fashion, however, it comes together into a very quirky danceable track. Lastly, be sure to check out the collaborative track with Prefuse 73,Welcome Home.

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